Woodwinds
In a delayed celebration of the College of Music’s 100th anniversary, the CU Symphony Orchestra will perform a specially commissioned work by renowned composer Christopher Theofanidis. “The one thing you can do is create something that represents you—a musical poem that you leave behind for others to enjoy and perform,” says the Grammy-nominated composer whose “On the Bridge of the Eternal” will debut in Macky Auditorium on April 26.
To support our students’ and our community’s musical development, the College of Music offers summer session courses and richly varied summer programming.
Recent alumnus Kaleb Chesnic has already made his mark on flute repertoire by transcribing all three of Edvard Grieg’s violin sonatas. He shared with us how his debut recording with collaborative pianist and alumna Nathália Kato came to be.
In this edition of our monthly Dean’s Downbeat, John Davis reflects on our students’ successes, introduces new violin faculty—welcome, Alex Gonzalez!—and celebrates Susan Thomas’ BFA Excellence Award. Transcending pandemic burnout, “our faculty offer anchorage through their teaching excellence, and their wonderfully consistent artistic achievements as performers, composers and researchers,” he writes. Â
On Feb. 20, flutist Courtney Badura (BM '23) and violinist Reuben Kebede (AD '22) took the "gold." Congratulations!
Isabel Goodwin—a third-year bassoon performance + composition student—shares her College of Music experience, including helpful tips on creating a successful portfolio, how faculty support and inspire her, and how to gain creativity from difficult circumstances.
As part of a weekend honoring diverse women composers, join us for a full orchestration of “Seven Miniatures for Piano” comprising seven standalone pieces—each of which reveals different facets of Florence Price’s creative personality. 91´«Ă˝ student and alumni composers completed the orchestrations.
College of Music student ambassador and bassoonist Laynie Metsker recently shared with us—and Future Buffs—her perspectives on becoming a music educator.
As 2021 comes to a close and I reflect on my first year as Dean, I’m filled with gratitude for our College of Music family and all we’ve accomplished in a new and evolving hybrid learning environment. I’m especially proud of our progress to ensure an increasingly welcoming spirit within our beautifully expanded Imig Music Building.
On Nov. 15, the CU Philharmonia Orchestra will present diverse works by Jessica Mays, Maurice Ravel and Felix Mendelssohn.