Graduation

Grad’s body of work already changing courses

Rachel Sauer — Fri, 02 May 2025 22:19:01 +0000

Grad’s body of work already changing courses Rachel Sauer Fri, 05/02/2025 - 16:19

Tim Grassley

Rachel Suter, who is earning her BA in neuroscience and arts practices, summa cum laude, is named the College of Arts and Science’s outstanding graduate for spring 2025

Fusing her artistic training and scientific understanding, Rachel Suter highlighted the questionable traditions of using cadavers while exploring anatomy through an artistic lens, and in doing so she has helped change how anatomy classes are taught.

Suter, who graduates this month summa cum laude with majors in art practices and neuroscience, has been named the spring 2025 outstanding undergraduate of the University of Colorado Boulder College of Arts and Sciences. Her thesis is titled “Cadaveric ethics in figurative art instruction: Developing a workshop for an anatomical approach.”

In her thesis, Suter explores the history and ethics of body procurement in cadaver labs, as well as the consequential effects of primarily representing white male bodies in these figures. “I was doing anatomy through an artistic lens,” notes Suter.

Rachel Suter, who graduates next week summa cum laude with majors in art practices and neuroscience, has been named the spring 2025 outstanding undergraduate of the 91��ý College of Arts and Sciences. (Photo: Kylie Clarke)

“I created a workshop for artists in the cadaver labs that taught them superficial anatomical structures relevant to figure drawing, and I simultaneously addressed the history of body procurement and dissection to advocate for a more ethical and equitable future.”

Steven Hobbs, who is an associate teaching professor in the Department of Integrative Physiology, coordinates the anatomy lab and served as chair for Suter’s honors committee, notes that Suter’s project was excellent in its scope and caused him to reconsider his approach to teaching anatomy.

“Rachel’s honors thesis is the most original undergraduate undertaking I have witnessed in my 20-plus years at CU,” says Hobbs. “Her work deftly combines history, art, anatomical sciences and advocacy. Any of these domains would be considered original, masterful and compelling. Together, they form a remarkable whole, born entirely from Rachel’s creative thinking, passion and hard work. Her thesis is the quintessential fusion of ‘arts’ and ‘sciences.’”

While Suter’s bachelor’s degree studies in art practices and neuroscience helped her fuse research techniques and art-making workshops, the project’s interdisciplinarity also offered opportunity to initiate instructional practices that could be incorporated into anatomy labs and figure-drawing workshops right away.

“That was my big goal with the thesis,” says Suter. “It was to put theory into practice and make a tangible change.”

Exploring the ethics of how cadavers are procured, studied and illustrated

Suter began her research intending to learn about the history of how bodies are procured by cadaver labs and medical schools to better understand and critique unethical practices. As she charted the medical history, she discovered that labs commonly obtain “unclaimed bodies,” or cadavers that were not claimed by family or friends for burial or cremation and are then made available for medical education and research by the state.

In her thesis, she argues that knowing this background helps anatomy students see cadavers as more than educational objects—they are people deserving of care and respect.

“Some medical schools still use unclaimed bodies today,” says Suter, “and so my thesis promotes the use of consensually donated bodies in anatomy. I didn't know that my project would also turn into more advocacy and activism for working towards a better future.”

While delving into a cursory history of body-procurement and medical ethics, Suter recognized a relationship between her anatomy classes and art classes. While anatomy is generally taught as a science course, it uses art as one of its primary means of communicating findings about the human body, and a stronger understanding of art-making places figures in context.

As an artist interested in figure drawing, Suter experienced first-hand that her stronger understanding of anatomy helped generate more reliable and variable representations of the human body’s structures.

“I was learning how to figure draw at the same time that I was taking the anatomy lab course, and then I continued to work on my figure drawing while I was simultaneously dissecting bodies in the labs,” reflects Suter. “Having an anatomical knowledge of the human body really supported my representation of bodies in art.”

Rachel Suter organized two figure-drawing workshops in the cadaver lab for artists with the goal of helping them better understand the details they observe on the human body, like musculature and skeletal structures. (Photo: Rachel Suter)

Suter noted a tendency for anatomy textbook images and illustrations to rely on white male bodies as representative of all human bodies. She found that this was a common practice historically among medical illustrators and could create misunderstanding among students analyzing these visual representations.

“Anatomy studies people,” says Suter. “In studying people, you want to ensure that you are representative of all of those groups.”

Suter organized two figure-drawing workshops in the cadaver lab for artists with the goal of helping them better understand the details they observe on the human body, like musculature and skeletal structures.

The workshops also covered ethical considerations when working with cadavers, the importance of wide representation and individuality in artistic anatomy and methods attendees could use to advocate for a more inclusive approach to dissection and figurative art.

While she plans to pursue graduate programs in medical illustration after a gap year that includes a 10-week intensive workshop in Florence, Italy, Suter’s thesis has a more immediate effect on how anatomy will be taught at 91��ý in the future.

“The anatomy labs here have not previously taught an ethical dimension or historical dimension,” says Suter. “Throughout my thesis, I really tried to advocate for transparency and education in these topics in a cadaver lab setting, and I'm really excited because I'm now talking to Dr. Hobbs about adding some of this content into the anatomy lab curriculum for anatomy students.”

The expansiveness of this project and its effect on teaching were the two characteristics of Suter’s nomination that drew the committee’s attention. Notes Hobbs, “As an instructor of human anatomy for nearly 20 years, I was surprised and inspired by how much I learned from Rachel. Her lessons reshaped my perspective on the human form through the lens of illustration. Rachel’s workshops and honors thesis could be the blueprint for a fantastic interdisciplinary semester course at CU. Every anatomy program should be so lucky to have a Rachel Suter.”

Suter not only feels honored to be the 2025 A&S outstanding graduate, she is also thrilled that her project leaves a legacy of change made possible through thoughtful, scholarly and artistic work.

“I don't think I've really found the words quite yet,” reflects Suter. “I'm really proud that I was able to make an impact on campus and develop a new educational approach that filled some gaps.”

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Rachel Suter, who is earning her BA in neuroscience and arts practices, summa cum laude, is named the College of Arts and Science’s outstanding graduate for spring 2025.

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Top photo: Kylie Clarke/College of Arts and Sciences

Amazing grads share advice and reflect on key lessons

Kylie Clarke — Fri, 02 May 2025 16:10:11 +0000

Amazing grads share advice and reflect on key lessons Kylie Clarke Fri, 05/02/2025 - 10:10

Earning high praise from faculty and staff, students offer words of wisdom and more

Each year, students leave their mark on the College of Arts and Sciences. Their choices, hard work and determination leave a legacy for the next generation.

As graduation approaches, the nostalgia of first days, the pride of achievement and the excitement of what is to come replays in the buzzing minds of almost-graduated students.

To celebrate amazing grads, we asked faculty and staff to nominate remarkable students.

Each nominee answered one of the following questions:

What is your best advice for other students?
What will you carry with you into the next chapter of life?
What does graduating represent for you?

Each nominator answered this question:

In your view, what makes this student amazing?

Q&A
Q: What does graduating represent for you?
Salomé Carrasco, EBIO ‘25: Graduating from college is a representation of the personal commitment and determination I have as a student from a diverse intercultural background, but also the community support and dedication my professors, peers and others have provided for me. This success also represents that students are capable of pursuing higher education despite financial, social and structural inequalities.

Q: What makes Salomé amazing?
Nominator: Salomé transferred to 91��ý from community college during the fall of 2023. I had the good fortunate of having Salomé in my Art of Science Communication class that term. Since then, Salomé has been an incredibly engaged member of our lab group. She participated in a month-long sampling expedition to western Canada during the summer of 2024 and just defended her honors thesis! Her growth and progress have been outstanding on so many fronts! Our lab is in awe of her artistic and scientific skills. We feel so honored that she has been a part of our research community during her time at CU.

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Earning high praise from faculty and staff, students offer words of wisdom and more

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Degree finally in hand, dancer leaps back onto Boulder stage

Rachel Sauer — Thu, 01 May 2025 22:11:47 +0000

Degree finally in hand, dancer leaps back onto Boulder stage Rachel Sauer Thu, 05/01/2025 - 16:11

Tim Grassley

91��ý alumna Jessica Fudim was two courses away from graduating in 1997; 26 years later, she’s earned her degree

When Jessica Fudim left the University of Colorado Boulder in 1997, she was two courses away from graduating. Despite being so close, she felt stuck in an unhealthy cycle of signing up for and withdrawing from her final degree requirements. Something needed to change, and she decided it needed to be her studies.

“I’ve learned as a parent, you can only do so much and sometimes you have to cut something out or make something smaller on your plate,” she says. “So, I went to the safe space of being near my parents (in California). But I felt a hurt in my heart about it.”

Fudim went on to have a vibrant career as a dance performance artist, creating and performing original work across the United States. An entrepreneur and, with her husband, a parent of two kids, she owns and operates two businesses: Jessica Fudim Dance and Jessica Fudim Pilates. Despite her successes, her unfinished degree felt like a shadow—an unresolved experience that she privately grieved.

Jessica Fudim portrays Medusa in her dance-theater solo "Venomous." (Photo: Peter Ruocco)

Fudim is not alone. 91��ý’s Office of Data Analytics notes that each year, an average of 23 students who needed to enroll for only one or two semesters return after five years or more to earn bachelor's degrees. Despite the relative frequency of people returning to the university to finish their graduation requirements, it still felt to Fudim like an impassable hurdle. Then, in spring 2024, after exchanging emails with 91��ý friends, faculty and staff, Fudim decided it was time for her curtain call.

“My kids are 12 and 14, and I do feel like I want them to see me finish. I want them to know that I did that.”

A college experience across state lines

Fudim (DnceBFA’24) grew up in Sonoma County, California, where she developed a love for dance. In high school, her dance instructor, Lara Branen, invited Fudim and classmates to attend the summer-long Boulder Jazz Dance Workshop, which Branen co-founded. Many of Fudim’s classes were taught in 91��ý’s Theatre and Dance Building, including performances in the Charlotte York Irey Theatre.

Fudim fell in love with Colorado and Boulder specifically. “It was totally transformative for me,” she recalls. “It helped crystallize this knowing that I wanted to dance—that I am a dancer.”

After graduating from high school, Fudim enrolled at the University of California, Irvine, which she attended from 1991 to 1993. She didn’t feel at home in Irvine, though, and transferred into 91��ý’s Bachelor of Fine Arts (BFA) in dance program in 1994. There, she thrived and was often identified as an example student, full of talent and drive.

Unbeknownst to many of her classmates and faculty, though, Fudim’s balance of school, work and personal life began to fray from the outset of her education. While her father paid her tuition, Fudim at one point held three part-time jobs to cover her living expenses, including the now-closed Espresso Roma café.

“I wasn't living lavishly,” she admits. “I lived on beans, rice, pizza and free croissants from the café. I’m a worker bee by nature, but back then especially, I didn't do a good job applying my work nature in the right direction. I spent more time working at my jobs than doing my academic work.”

Because Fudim transferred from California, some of her classes from Irvine did not count at 91��ý for credit. She found herself on a different graduation timeline than her peers in the BFA program, a social challenge that grew as more friends graduated and left town.

“I think I had another semester or two of work to do,” she says, “but I started to check out. I completed my BFA (capstone) performance, but I withdrew from some classes. I’m so embarrassed that I got Fs in a couple of classes. But I didn’t have the skills to know how to ask for help—to say, ‘I’m struggling and I’m not sure what to do next.’”

Fudim went back to California in 1997, hoping to complete her degree by finishing a few classes at a local community college. Those attempts did not work out. She also tried distance learning but withdrew. Eventually, Fudim moved on.

Medusa (portrayed by Jessica Fudim) with her children Pegasus and Chrysaor in "Venomous." (Photo: Kyle Adler)

“It felt like a bad break up. It felt sad—unresolved. I haven’t been back to Boulder since then.”

A phone call leading to an academic plan

After returning to California, Fudim decided to invest fully in her dance career and, over the next 20 years, experienced tremendous success as a solo artist and with her ensemble company, The Dance Animals. She held several dance residencies, co-directed The Experimental Performance Institute (EPI) at New College of California and, with the late Dwayne Calizo, co-produced, choreographed for and performed in the multimedia performance series “Crash Cabaret: Where Queers Collide” at San Francisco’s Roxie Theatre.

Her most recent solo show, Venemous, which reimagines the myth of Medusa, debuted to critical acclaim, and she considered bringing the show to Colorado and 91��ý. She initially contacted Erika Randall, professor of dance and a friend, about the possibility of creating an alumnus event.

After sending her initial email, though, she felt compelled to follow up. “I sent a second email that said, ‘I want to be transparent—I never fully graduated from CU. It's something that I've wanted to do, and I do feel really motivated at this point in my life to complete that degree. But I just want you to know that I can’t come to Boulder as an alumna. I'm not. I haven't graduated.’”

At that time, Randall was the College of Arts and Sciences associate dean for student success, and part of her duties as dean included overseeing one of the academic advising units that helps students return to 91��ý and complete their degrees. Randall remembers reading Fudim’s email and decided to call.

“When we talked, she said, ‘I had no idea how much not finishing my degree had held a shadow over me and how much it would mean to finish it,’” recalls Randall. “I got really excited and said, ‘You should come back. You should come to our graduation. You should do the performance you had written to me about performing.’”

“That was definitely a turning point for me,” says Fudim. “She is so warm and genuine and so non-judgmental. It was this healing gift to just have her open her arms like that. I didn't even feel at that point that I needed to be courageous. It just felt like I was so excited to do it.”

Randall connected Fudim with Dawn Fettig, an experienced academic advisor with a deep understanding of 91��ý’s historic curricula and degree requirements. As part of her work with special populations, Fettig helps students figure out what courses they need to complete degrees.

To determine how close Fudim was to graduation, Fettig reviewed her transcripts, the university’s old “Permanent Record Card” and handwritten notes included in Fudim’s file. After combing through university documentation, Fettig recreated Fudim’s academic record.

“If I use the transcript as a chronological record, I can see what made sense for a student's progression in their degree,” notes Fettig. “For example, what might make sense for this student to take to complete the requirement? And is there a substitution?”

Fettig emphasizes that the college never waives graduation requirements, and she works hard to maintain the integrity of degrees the university confers. “The 91��ý degree means something to our departments, to our faculty, to our staff and to our students,” says Fettig. “We figure out a way to look at their completed work and ask if it meets the spirit of the requirements as they were set at the time.”

For Fudim, this meant completing a geography requirement as part of 91��ý’s Minimum Academic Preparation Standards (MAPS) and a final departmental stage performance. Fettig found a course in California near Fudim’s home that would count for the MAPS credit. They also explored marking her degree’s stage performance requirement as fulfilled by her career experience and then substituting the required credit with another dance course she had completed at 91��ý.

“In Jessica's case, because her dance degree is a performance art, I did have to go back to the department and say, ‘This is a professional working in the field. I think she’s probably met this stage performance requirement,’” says Fettig.

What would Medusa say if she had a chance to speak for herself?

Jessica Fudim’s dance-theater solo, Venomous, looks at the classic Greek myth from Medusa's perspective and moves her story beyond that of a snake-headed monster.

What: Venomous

When: 6:30 p.m. June 5 and 6

Where: The Pearl Ballroom, 2199 California Street in Denver

Learn more

“She didn't have the class, but she has the experience. She also has other classes that we can use as a substitution” for the major’s requirements.

Together, Fettig and Fudim created a plan that fueled Fudim’s motivation to complete her degree. “Having someone who is in a position of knowledge like Erika and Dawn, who say, ‘Yes, of course you can do this. We have a way for you to do this. And this is awesome.’ I just trusted them—I believed them,” says Fudim. “It shifted my outlook.”

Graduation and healing

While Fudim did have the motivation to tackle her coursework, she still had to juggle a full schedule. “I have two kids and I run two businesses,” notes Fudim. “I do all of my own admin work, and my bookkeeping. My husband works the opposite schedule so that we can tag-team childcare. When I needed to study, I had to plan it.”

Fudim’s mother regularly covered childcare to make room for Fudim to complete her coursework. Many days, her family created a homework club in which they could complete their assignments around the dinner table. This reframed the time needed to finish coursework as an opportunity to connect through shared experiences. While Fudim is happy she received an A in her geography class, the grade plays only a small part in how this experience affects her.

Fudim officially completed her degree and graduated in fall 2024. The experience has widened what she believes possible, and she’s thrilled for fresh opportunities to continue making art, performing and teaching dance. Notably, she will return to Colorado this summer to perform Venemous at the 2025 Denver Fringe Festival June 4-8. While staying in Colorado for the show, she plans to visit Boulder for the first time since leaving in 1997.

“My dear friend and former CU Dance BFA classmate, Kate Weglarz (Thorngren) will be flying out for the show and to go walking down memory lane with me in Boulder,” says Fudim. “I'm excited to return to my roots in Colorado, and to share where I am now as an artist.”

Finishing her degree brings a sense of resolution and a lesson in persistence. “I feel like the primary reason I completed my degree was to create healing,” says Fudim. “It wasn’t closure. It’s opened me back up.”

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91��ý alumna Jessica Fudim was two courses away from graduating in 1997; 26 years later, she’s earned her degree.

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Top image: Medusa (played by Jessica Fudim) welcomes the audience in "Venomous." (Photo: Kyle Adler)

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