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A century ago, we needed informed citizens and clear thinkers; today, as the pace of change grows exponentially, we need them even more

Picture the scene when the Hellems Arts and Sciences building first opened as the hub of the humanities at the University of Colorado:��

It was 1921, and the world was recovering from a deadly , Americans were , suspicious of and deeply divided on issues of . Also, economic uncertainty fueled doubts about the value of a traditional, .��

History might not repeat itself, but it sometimes rhymes.

This month, 105 years after Hellems opened, 91��ý officials celebrated its recently completed renovation, heralding the place as a nucleus of campus life, a common bond among most students and, still, the home to key disciplines in the humanities.

Today, we’re in the wake of a pandemic, with rising isolationism and contentious debates on immigration, race and a liberal-arts education.

Let’s discuss, starting with a definition of the “liberal arts,” which is important, given modern connotations of the term “liberal.” The ancient Greeks and Romans believed that a good education—one that prepared citizens to steer the ship of state—was the foundation of democracy.

Cicero argued that��autonomous individuals who earn the respect of others must learn skills or practices��to be effective citizens and stewards of democracy. He called��these skills the��artes liberales, which translates to the “,” those with liberty—hence “liberal arts.” Cicero focused on rhetoric, literature, poetry, ethics, civics, logic, geometry, music, astronomy and natural science.

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History has a home in Hellems Arts and Sciences, as does philosophy, English, linguistics, the Anderson Language and Technology Center and the Colorado Shakespeare Festival.

He described arts and sciences, essentially.

The fields we count as liberal arts have grown in the 2,000��years since then, but the gist—the idea citizens need all these skills to better participate in democracy and in life—is unchanged.

Today in the College of Arts and Sciences, the liberal arts—now with more subjects!—remain central to the education of all students. Across the nation, however, students and their families sometimes question the return on investment in a liberal-arts education.��

As I’ve noted previously, it is true that those who earn degrees in engineering and business tend to command higher starting salaries than those who hold degrees in English or sociology. However, those with a liberal-arts degrees often enjoy����that can rival that of their friends in technical disciplines.��

The monetary “return on investment” is compelling. But that’s not the only benefit, and this is not the first time we’ve had this debate.

George Norlin was president of 91��ý in 1921, when Hellems opened. He, too, responded to critics of a liberal-arts education, including Henry Ford, who famously said, “History is more or less bunk.”

Norlin penned an essay in which he argued that knowing only the present day was a kind of “prison” that kept a person from fully participating in civic and personal life. At the time, a liberal-arts education was called a “liberal education,” and he said this:

“A liberal education, or what we might better call a liberating education, has for its purpose … ‘a breaking of prison walls which leaves us standing, of course, in the present but in a present so enlarged and enfranchised that it is become, not a prison, but a free world.’”

Norlin rejected the “war-cry of charlatans” who demand that universities neglect liberal education and “become places of apprenticeship for jobs.”��

He added: “Let there be more schools for the training of artisans—the more the better—but let the colleges and universities remember that, whatever else they may be called upon to do, their first business is to keep civilization alive and moving from vitality to vitality in each generation.”

Norlin, after whom the university’s libraries are named, paraphrased Cicero in the inscription above the main library’s entrance: ‘Who knows only his own generation remains always a child.’”��

Were we to update that statement today, we’d use gender-neutral language. But I hope, as Norlin did, that it will reflect the university’s core purpose as long as they remain etched in stone.

History has a home in Hellems Arts and Sciences, as does philosophy, English, linguistics, the Anderson Language and Technology Center and the Colorado Shakespeare Festival.

As he celebrated Hellems’ reopening this month, 91��ý Chancellor Justin Schwartz hailed the place as “where the ideas of the university take root, where perspectives are challenged and where intellectual confidence begins to take shape.”

The scholars in Hellems grapple with profound questions and promote critical thinking. The questions explored there have never been more important:

How do we apply the lessons of yesterday as we stride toward tomorrow? How do we find common cause across cultures and languages? How do we reason thoughtfully about what is right, true and ethical?��

These are the questions the world must address, and our investment in Hellems demonstrates that the university honors this prime imperative.

A century ago, we needed informed citizens and clear thinkers. Today, as the pace of change grows exponentially, we need them even more. Embracing the wisdom of the past can drive us toward a better future.

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Daryl��Maeda is dean of the College of Arts and Sciences at the University of Colorado Boulder.

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